Tuesday, May 31, 2011

#4


My normal studio I had grown accustomed to using was occupied. So we ventured down the hall to the virtual studio, a room with completely blue walls, floors and odd lighting. I was lucky however, because the body part I would be shooting was something where the background would not play such a large role. "I don't like my fingers, I wish that they were shorter". This was truly the first of my shoots that baffled me. Who would wish for shorter fingers? Furthermore, which type of person would stop to notice that this girl has "too long of fingers"? This insecurity reinforced personally the reason why I started this campaign. It proved that our insecurities are truly things that sometimes only we can see, and maybe do not deserve the amount of emphasis we currently put on them.

Sunday, May 29, 2011

#3

Midsection. The shoot was accompanied by the ambient sounds of Pitbull and reggaeton. We began with shots highlighting her stomach--grabbing and stretching the skin that surrounded her belly-button. But as the infectious beats of the music persisted, the shoot naturally developed into a dance session. She circled her torso to the music, grabbing her hips, swinging her long, curly hair to the side; and through this, she was simply using her misection for what it was made for. The best photos from the shoot were not the ones blatantly showcasing her insecurity, but rather the ones where she embraced them.

Saturday, May 28, 2011

#2




A free spirit and a dancer, she walked into the studio wearing a long, floral skirt. "I'm going to do my arms", she announced. Her session's photographs yielded beautiful shapes that were graceful and lyrically-inspired.

#1


An overcast & windy day greeted me as I treked to school lugging my usual weighty backpack and camera. I arrived at my school's equipment room looking less than presentable and asked to rent a light--"tapuz" or "orange" as they are called here, and proceeded to the second floor. I set up the mini tv-studio, not knowing exactly how I would photograph my first "love the pudge" shoot. As I screwed the light to the tripod, the rain began. A strong downfall of droplets splattered against the windows angrily--I pulled the black-out curtains across the windows and then pulled the set of white curtain across the adjacent wall. Just as I began to think she wouldn't show up because of the rain, she arrived.

Hair soaked and shirt dotted with raindrops, she began to ask questions. "So what do you want to shoot exactly?" Being a very open personality, she decided on her stomach as her biggest insecurity and immediately took off her t-shirt and camisole announcing that laying them on the table would allow them to dry faster anyways. I flicked on the "tapuz" and began to take some test shots. I was also nervous--this was my first time shooting a person in a studio, and here I was, photographing a classmate in only her bra and skinny jeans. I didn't exactly know what I was doing, but I knew the message I wanted this campaign to get across. I was fortunate to have such an earnest initiator to the campaign. She eagerly twisted her torso, grabbed her love handles--truly embracing her "pudge". After about 30 shots, I knew I had gotten the winning image.

She put her now-dry shirt back on, and we both packed our stuff up. It was a strange feeling knowing that I had just been allowed into someone's mind for a chunk of time--privied to their biggest body obstacle. As I took the light off the tripod and put the lens back on my camera, she broke the silence, "You know, that really was a liberating experience".

Wednesday, May 25, 2011

The Documentary

The Initiative & Process
Click on the link to watch the film my friend and I created about the process and results of the first batch of photos for the Love the Pudge campaign.



The Gallery



Curious attendees crowded the lobby of the Arazi-Ofer Building in the Interdisciplinary Center in Herzilya, Israel as the sun set last night. The 17 prints revealed featured a variety of body insecurities. What was most interesting for me to see were the reactions of the individuals featured in the photographs. A large portion were proud to point out which print featured their bodies--exposing what they once were ashamed of. This was a special moment for me because it perpetuated my strong belief in this campaign. When our insecurities can be acquired as a beautiful form rather than a fault, we can learn to accept and love ourselves and others. Another bonus to the evening was a screening of the documentary that a close friend of mine and I developed over the past few months that rippled inspiration through the venue. I am throuroughly impressed with the outcome of this event, and I hope that I can continue to inspire many.

Tuesday, May 17, 2011

The Countdown Begins...


The gallery is opening in less than a week! I am tying all the last pieces together for the big night. A friend suggested that I make symbolic bracelets that will be worn to represent a promise to love your body. I hope that after the night of the gallery I will see the wrists of most sporting a teal bracelet.